The Indian State is a Coward
By MANU JOSEPH January 31, 2013,
NEW DELHI – When the Indian state wants to laugh it probably reads
Hegel’s hypothesis, “The state is the actuality of the ethical Idea.”
The language of the Indian state is often sentimental, but in reality it
is a practical corporation that tries to appease in the easiest ways
possible its most valued consumers. Which is not a bad thing. But, like
most practical people, the state is a coward. It wants to completely
eliminate imaginary risks to its survival and is willing to do even
stupid things that have no meaning to achieve that. That is the reason
why there is no substantial free speech in India. The state sides with
those who are offended even if their claim is farcical. This is the
subject of my latest Letter from India.
At the Jaipur Literature Festival
last week, the sociologist Ashis Nandy said that most of India’s
corrupt people were from the backward castes. Some listeners claimed to
be offended, and the police brought charges against him, including one
under a very stringent act meant to protect the backward castes from
“atrocities.” The annual festival attracts some of the best writers and
academics in the world and hundreds of thousands of people are in
attendance over five days. But if the lesson now is that speakers have
to be cautious, the festival will find it hard to attract some of the
world’s most interesting writers and intellectuals.
Last year, Salman Rushdie
was to attend the festival but had to cancel after some Muslim groups
objected and the Indian government and the government of Rajasthan (the
state of which Jaipur is the capital) said they could not guarantee his
physical safety. A few days later he appeared at a conclave in New Delhi
and there were no protests at all. He even taunted the Indian
government for the uneventfulness of his appearance in India. He has
since visited India at least once. The protest against his planned
attendance at the Jaipur festival and the government’s reaction were a
part of the same imbecilic farce that often collides with artistic and
intellectual freedom in India. There is nothing valiant about the loss
of the freedom of expression in India, as it often happens for no good
reason at all. Just a small bunch of thugs or fools can influence the
state to take their side.
The release of a Tamil-language film,
which also has or will soon have versions in other Indian languages, has
been blocked in several parts of southern India by some Muslim groups
whose leaders have not even seen it. The film’s director, co-producer
and lead actor, Kamal Haasan, had faced a similar problem a few years
ago from many quarters, particularly Hindu groups, before the release of
a film about a man who sets out to assassinate Gandhi. A Hindu
nationalistic group said it was offended by its portrayal of historical
figures. And, once again, the politicians took the side of the fanatics.
Mr. Haasan went around for days in a green shirt and green trousers to
irritate Hindu groups with the color of Islam. During the controversy he
told me in an interview that he was very surprised that nobody had yet
objected to the fact that the film depicted Gandhi as being shot and
killed.
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